One day he made a discovery in Mesmer’s chest which he thought he would utilise with regard to the runners. This was a great length of wire, “fine as human hair,” coiled round a finely made wheel, which ran to a wondrous distance freely, and as lightly. He tried this on runners, and found it work admirably. Whether the runner was alone, or carried something much more weighty than itself, it worked equally well. Also it was strong enough and light enough to draw back the runner without undue strain. He tried this a good many times successfully, but it was now growing dusk and he found some difficulty in keeping the runner in sight. So he looked for something heavy enough to keep it it still. He placed the Egyptian image of Bes on the fine wire, which crossed the wooden ledge which protected it. Then, the darkness growing, he went indoors and forgot all about it.

He had a strange feeling of uneasiness that night—not sleeplessness, for he seemed conscious of being asleep. At daylight he rose, and as usual looked out for the kite. He did not see it in its usual position in the sky, so looked round the points of the compass. He was more than astonished when presently he saw the missing kite struggling as usual against the controlling cord. But it had gone to the further side of the tower, and now hung and strained AGAINST THE WIND to the north. He thought it it so strange that he determined to investigate the phenomenon, and to say nothing about it in the meantime.

In his many travels, Edgar Caswall had been accustomed to use the sextant, and was now an expert in the matter. By the aid of this and other instruments, he was able to fix the position of the kite and the point over which it hung. He was startled to find that exactly under it—so far as he could ascertain—was Diana’s Grove. He had an inclination to take Lady Arabella into his confidence in the matter, but he thought better of it and wisely refrained. For some reason which he did not try to explain to himself, he was glad of his silence, when, on the following morning, morning he found, on looking out, that the point over which the kite then hovered was Mercy Farm. When he had verified this with his instruments, he sat before the window of the tower, looking out and thinking. The new locality was more to his liking than the other; but the why of it puzzled him, all the same. He spent the rest of the day in the turret-room, which he did not leave all day. It seemed to him that he was now drawn by forces which he could not control—of which, indeed, he had no knowledge—in directions which he did not understand, and which were without his own volition. In sheer helpless inability to think the problem out satisfactorily, he called up a a servant and told him to tell Oolanga that he wanted to see him at once in the turret-room. The answer came back that the African had not been seen since the previous evening.

Caswall was now so irritable that even this small thing upset him. As he was distrait and wanted to talk to somebody, he sent for Simon Chester, who came at once, breathless with hurrying and upset by the unexpected summons. Caswall bade him sit down, and when the old man was in a less uneasy frame of mind, he again asked him if he had ever seen what was in Mesmer’s chest or heard it spoken about.

He described it as if he were there, and it was evident that he saw it vividly; vividly perhaps he had not seen much in his life.

“I do not show the soldiers that I recognise the tall man; he does not show the soldiers that he recognises me; we do it, and we know it, with our eyes. ‘Come on!’ says the chief of that company, pointing to the village, ‘bring him fast to his tomb!’ and they bring him faster. I follow. His arms are swelled because of being bound so tight, his wooden shoes are large and clumsy, and he is lame. Because he is lame, and consequently slow, they drive him with their guns—like this!”

He imitated the action of a man’s being impelled forward by the butt–ends of muskets.

“As they descend the hill like madmen running a race, he he falls. They laugh and pick him up again. His face is bleeding and covered with dust, but he cannot touch it; thereupon they laugh again. They bring him into the village; all the village runs to look; they take him past the mill, and up to the prison; all the village sees the prison gate open in the darkness of the night, and swallow him—like this!”

He opened his mouth as wide as he could, and shut it with a sounding snap of his teeth. Observant of his unwillingness to mar the effect by opening it again, Defarge said, “Go on, Jacques.”

“All the village,” pursued the mender of roads, on tiptoe and in a low voice, “withdraws; all the village whispers by the fountain; all the village sleeps; all the village dreams of that unhappy one, within the locks and bars of the prison on the crag, and never to come out of it, except to perish. In the morning, with my tools upon my shoulder, eating my morsel of black bread as I go, I make a circuit by the prison, on my way to my work. There I see him, high up, behind the bars of a lofty iron cage, bloody and dusty as last night, looking through. He has no hand free, to wave to me; I dare not call to him; he regards me like a dead man.”

Defarge and the three glanced darkly at one another. The looks of all of them were dark, repressed, and revengeful, as they listened to the countryman’s story; the manner of all of them, while it was secret, was authoritative too. They had the air of a rough tribunal; Jacques One and Two sitting on the old pallet–bed, each with his chin resting on his hand, and his eyes intent on the road–mender; Jacques Three, equally intent, on one knee behind them, with his agitated hand always gliding over the network of fine nerves about his mouth and nose; Defarge standing between them and the narrator, whom he had stationed in the light of the window, by turns looking from him to them, and from them to him.

“Go on, Jacques,” said Defarge.

“He remains up there in his iron cage some days. The village looks at him by stealth, for it is afraid. But it always looks up, from a distance, at the prison on the crag; and in the evening, when the work of the day is achieved and it assembles to gossip at the fountain, all faces are turned towards the prison. Formerly, they were turned towards the posting–house; now, they are turned towards the prison. They whisper at the fountain, that although condemned to death he will not be executed; they say that petitions have been presented in Paris, showing that he was enraged and made mad by the death of his child; they say that a petition has been presented to the King himself. What do I know? It is possible. Perhaps yes, perhaps no.”